At just over a century, cinema is, by some distance, the youngest of all major artforms; yet, it has evolved, expanded and shape-shifted so extraordinarily in its relatively brief history, that any attempts at chronicling its history is bound to be an exercise in audacity. Furthermore, when one realizes that it freely built upon multiple other artforms, and its progression has been as technical as cultural and political, one can also sense the sheer complexity of that endeavour. If one dizzying way to do that was Godard’s dense, metatextual and monumental video essay Histoire(s) du Cinéma, another diametrically opposite approach was Marc Cousin’s in The Story of Film. Running at 900 minutes, and covering around 1000 films across all 6 continents, this was no less ambitious. Further, by consciously spending considerable time on silent cinema, covering films from the “global south”, and complementing technical evaluations and historical details with highly personal views – even if they were dubious or superficial at times – Cousins made this much more idiosyncratic than what a more straightforward documentary would’ve been. Spread over 15 chapters, it covered an immensely wide spectrum – films made within and outside the studio system, films that’re canonical and those beyond the canon, popular and arthouse movies, films demonstrating technological developments as well as political contexts – which also made it episodic and engaging, even if this sacrifice of depth for breadth made it too cursory and thereby less rigorous. Notwithstanding Cousins’ exasperating diction and repetitiveness, one must admire his love for the medium, the stunning span of his focus, and the herculean efforts that he invested by interviewing diverse people and physically visiting numerous places during the course of its making.
Director: Mark Cousins
Genre: Documentary/History/Mini-Series
Language: English
Country: UK
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