Andrzej Munk, who had made his debut with Man on the Tracks, which is considered
as one of the best Polish films of the decade, reached the zenith of his
maturity, talent and artistry with his third (and final completed) film, Bad Luck. Unfortunately for the world of
cinema, he died shortly afterwords in a tragic car accident while in the middle
of his fourth movie. Narrated in flashbacks, this incredible political satire had
at its forefront the tragicomic tale of Jan (incredibly played by Bogumil
Kobiela who’s in every frame of the film), an unremarkable and slightly stupid
Everyday Joe whose chronic bad luck ridden life coincides with and forms a
mirror to the turbulent contemporary history of Poland from 1930s to 1950s. He
is a dangerously apolitical character whose sole intent in life is to earn
fame, riches and the various ladies he falls in love with over the years, and
thus his existence seemed hilariously anachronistic given the politically
charged and dynamic times he lived in – be it World War II or Stalinist Poland.
Munk brilliantly blended delectable humour with sulfurous jabs and pointed political
commentaries, and made marvelous use of whimsical plot developments to carry
the seemingly improbable faux-autobiography forward. The final result was not
just a freewheeling tale of perennially being at the wrong place at the wrong
time, it was also a deeply subversive (despite the refreshing sense of humour
the superbly written script was filled with), darkly
funny, and quietly disconcerting and melancholic piece of work. Jiri Menzel borrowed the template for his late-life gem I Served the King of England, as did Robert
Zemeckis for the poignant Forest Gump.
Director: Andrzej Munk
Genre: Comedy/Political Satire
Language: Polish
Country: Poland
2 comments:
Good comparative point with the comparison to I SERVED THE KING OF ENGLAND and even FOREST GUMP. This is another example of Eastern European cinema from that period that superbly blends satire with a dark and melancholy tone. terrific capsule review!
Thanks a lot Sam. Those two movies immediately came into my mind while watching this fascinating film. In fact, the completely apolitical protagonist who is not in the least concerned about the political upheavals around him also reminded my a bit about another Czech New Wave masterpiece, viz. Menzel's Closely Watched Trains.
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