Thursday, 13 March 2025

Padatik (The Guerrilla Fighter) [1973]

 Padatik – the thrilling, fierce, sardonic and meditative final chapter in Mrinal Sen’s extraordinary ‘Calcutta Trilogy’, preceded by Interview and Calcutta 71 – was political cinema at its most blazing, dialectical and fearlessly radical. The electrifying work was infused with Godard’s self-reflexive style and Costa-Gavras’ pulsating aesthetics, in solidarity with the spirit of internationalism while embedded in the turbulent zeitgeist of 1970s Calcutta, powerfully advocating Marxist ideals and agitprop principles of ‘Third Cinema’ and cinema of praxis, and interweaved with dazzling formal and stylistic choices. Sen interspersed observational and conversational chamber sequences with energetic hand-held cams on the streets, documentary footage, newspaper reels, mock advertisements, striking protest photography by himself, Brechtian interludes, POV shots, jump cuts and freeze frames. The film consequently alternated in its championing of revolutionary fervour, class consciousness and political dissent; takedown of apathy, rigid obedience and shallow consumerism; and introspections on the Left confronting the state while grappling with internal conflicts. Splendidly shot by K.K. Mahajan and scored by Ananda Shankar, it follows a few days in the life of Sumit (Dhritiman Chatterjee), a militant Communist who’s been provided refuge, upon escaping from a police van, at an upscale apartment owned by a Punjabi-Bengali woman (Simi Garewal) who’s employed with an ad agency, sympathetic to revolutionary causes and engaged in feminist activism. Sumit’s inner turmoil – which turns towards disillusionment while stationed in the flat – is manifested through his long, intimate conversations with his hostess, changing camaraderie with a younger comrade, and his fraught relationship with his ageing father (Bijon Bhattacharya), a former freedom fighter and now an exploited factory labourer. Chatterjee’s terrific turn, and the film too, incidentally, made for a fascinating complement to Ray’s masterful Pratidwandi.







Director: Mrinal Sen

Genre: Drama/Political Drama

Language: Bengali

Country: India

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