Thursday, 17 June 2010
Solaris (Solyaris) 
-->Master Soviet filmmaker Andrei Tarkovsky’s most famous work happened to be, unequivocally, Andrei Rublev; however, whenever speaks about his best film, Solaris too comes into the picture along with Stalker. Often compared with Stanley Kubrick’s 2001: A Space Odyssey, the similarities between the two movies extended very little beyond the fact they were both sci-fi films with a major portion of their stories taking place in deep space. When the crew of a space station hovering above an ocean-covered planet called Solaris reports mysterious occurrences, a psychologist is sent there to investigate the situation there and report as to whether the programme is worth keeping alive any longer. However, unbeknownst of him, the ocean there has the unique ability to sense repressed memories and desires of humans, which for him takes the seemingly “human” form of his ravishingly beautiful wife who had killed herself seven years back. This deeply philosophical movie was a brooding meditation and a haunting treatise on such profound themes as memory, love, death, man’s unstoppable pursuit for knowledge and what entails to be human, raising a few disturbing questions on our very existence in the process. The generous length, languorous pacing with long moments of silence and philosophical deliberations however ensured that this wasn’t an easy watch by any stretch of imagination.
Director: Andrei Tarkovsky
Genre: Drama/Sci-Fi/Existential Drama/Psychological Drama/Adventure
Country: Russia (erstwhile Soviet Union)