Shyam Benegal, who’d made ad films on Amul during his advertising days, partnered with Verghese Kurien – who’d played a pivotal role in Amul’s success and “White Revolution in India” during the 1970s – and a whopping 500,000 farmers who donated Rs. 2 each, in his compelling film Manthan. It was infused with remarkable political prescience by being a crowdfunded film – and therefore, free of commercial obligations – that chronicled the cooperative dairy movement pioneered by Kurien which turned milk farmers into micro-owners and thereby considerably freed of exploitations by predatory businessmen. Benegal, however, didn’t have a hagiographic character study in mind. Instead, through Manohar Rao (Girish Karnad), a veterinary doctor who arrives in a tiny hamlet with hopes of collectivising the rural community into a cooperative, he painted a microcosmic and multitextured tapestry on impoverished villagers manipulated, fleeced and turned into bonded labour by a cunning local dairy owner (Amrish Puri), and rabid cast-based discrimination of the Dalit populace by an upper-caste Panchayat leader (Kulbhushan Kharbanda). The gruff and tenacious Rao, armed with his with socialist and egalitarian ideals, must navigate through these complex, seething and violent fault-lines in order to have the milk cooperative set-up and operationalized. The fearlessly rebellious Bhola (Naseeruddin Shah), the fiery and independent-minded Bindu (Smita Patil), Rao’s troubled wife (Abha Dhulia) and his impassive colleague (Mohan Agashe) interlaced the brewing maelstrom with riveting human dynamics. This remarkable final chapter in Benegal’s bleak and fierce ‘Rural Trilogy’ – preceded by Ankur and Nishant – comprised of an alternately angry, mournful and sensuous script by Vijay Tendulkar and Kaifi Azmi, lyrical vistas of the harsh landscape by Govind Nihalani, and a recurring song that served as a deeply evocative motif.
Director: Shyam Benegal
Genre: Drama/Rural Drama/Film a Clef
Language: Hindi
Country: India
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