Tetsuya Nakashima’s Confessions, adapted from Kanae Minato's
bestselling novel, is a decidedly grim, discomfiting and nihilistic revenge
thriller that blurred the line separating perpetrators and victims while
portraying the irredeemability of its characters. However, while it was
formally adventurous and thematically bold in creating a distinctive palette
for its tale of well orchestrated cruelty and vengeance, where no one is
innocent of wrongdoing, the extreme distancing effects created through
hyper-stylization made it well nigh impossible to develop strong connects with
the proceedings. The movie began with a long and intriguing prelude that
immediately established the context and set the stage for what followed – viz. Yuko
(Takako Matsu), a school teacher, sharing with her class of ill-mannered students
in an eerily placid tone about her 4-year old daughter’s death by drowning, and
her decision to personally exact revenge on the two kids who perpetuated this, as
they’re otherwise protected by the country’s juvenile law. The two students, both
extreme social recluses, are Shuya (Yukito Nishii), a sly, cocky and pathological
sociopath desirous of garnering notoriety as a means to establish connect with
his mother who’s abandoned him, and Naoki (Kaoru Fujiwara), an introverted boy who’s
easily manipulated. The narrative, shot using gray-blue filters to accentuate
the bleak tone, frequently intercut between the three characters to portray
their dark confessions, psyches and motives as the two boys face the wrath of
Yuko’s punishment. While its commentary on societal and parental complicity
pushing the kids towards loneliness, alienation, self-obsession, wanton cruelty
and delinquency was palpable, and the depiction was undeniably chilling, it was
difficult not to be left tad cold by the film’s overly oppressive atmosphere,
straight-jacketed characterizations and stylistic overindulgence.
Director: Tetsuya Nakashima
Genre: Thriller/Psychological Thriller/Revenge Thriller
Language: Japanese
Country: Japan
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