White Terror, through
anti-communist genocides by fascist governments and repressive military juntas,
have happened across the globe over the 20th century, from Spain and
Greece to Chile and Argentina to Korea and Taiwan, and elsewhere. However, Nazi
Germany aside, few countries have perhaps experienced the kind of grisly mass
killings that happened in Indonesia upon the Suharto military dictatorship’s
1965 coup d'état. With The Act of Killing,
Joshua Oppenheimer had made an intensely disturbing and provocative documentary
on the killing squads, who still roam the streets with elan, proudly reliving
and even enacting their ghastly massacres. It formed a daring diptych with its powerful
companion piece The Look of Silence
in their eerily complementary themes, styles and tones – the focus here was on
the victims as opposed to the perpetrators, and hence, in place of the lurid
portrayals and narrative flamboyance of the former, this was restrained,
brutally straightforward and exuded deep suffering. Therefore, while it
might’ve been shadowed by the former’s formal ingenuity, it was ethically less
troubling and more profoundly affecting for me. The docu’s principle subject is
Adi Rukum, a proletarian optometrist in his 40s, whose elder brother Ramli was
barbarously tortured and murdered by death squad members, many of whom were
their neighbours and some have even become high-ranking officials. Hoping,
albeit in futility, to sense a shred of guilt and regret in those men, and
hence perhaps get some sort of closure, he engages in candid interactions with
them and their families. The quiet power, silent courage and pained conviction
that this mild-mannered man displays, along with the sobering reiteration of
man’s infinite capacity for evil, is bound to leave one shaken and haunted.
Director: Joshua Oppenheimer
Genre: Documentary/Political Documentary
Language: Indonesian
Country: Denmark
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