It’s such a brutal irony that, while Article 15 – one of the Fundamental
Rights accorded by India’s Constitution – bars discriminations on the basis of
religion, race, caste, gender, etc., discriminations on those very grounds
remain as deep-set and all-pervading as ever. The nauseating stench of Brahminical
and patriarchal hegemony, and violence against the so-called lower castes –
which is especially pronounced in the towns and rural hinterlands in India’s “Cow
Belt” – formed the key tenet in this taut and discomfiting crime thriller. And,
despite being tad didactic and unsubtle at times, it packed some punch. Ayan
(Ayushmann Khurana), a young IPS Officer posted in the UP badlands, gets introduced
to the caste-ridden environment that he was thus far oblivious of, as he witnesses
the poisonous extent to which the upper-caste can go to put Dalits – who,
unfortunately, perform the society’s most ignominious tasks – in their place,
when two young girls are viciously butchered for daring to demand a marginal
increase in their wage; the widescreen shot, against a barren landscape, of the
two girls hanging from a tree, was haunting. As the cop goes about apprehending
the culprits of this heinous crime, he encounters corrupt cops (led by the
excellent Manoj Pahwa), power-hungry politicians, cynical bureaucrats, callous media,
casual indifferences and societal normalizations. He also meets a charismatic
Dalit rebel leader (Mohammad Zeeshan Ayub) – it might’ve been darn compelling to
watch the story unfold from his eyes – and his feisty girlfriend (Sayani
Gupta). Despite a hopeful finale which seemed removed from ground realities,
the stark, visceral and solidly-made film raised inconvenient questions and
touched raw nerves, as evidenced by the hostility it has faced from certain
sections of the society.
Director: Anubhav Sinha
Genre: Crimer Thriller/Police Procedural
Language: Hindi
Country: India
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