Alfonso Cuarón, who’s made films on diverse
genres – saucy sex comedies (Y Tu Mama Tambien), grim sci-fi dramas (Children
of Men), extravagant space thrillers (Gravity),
etc., had followed similar paths as his famous compadres Del Toro and Iñárritu,
who’d started fabulously in Mexico before being lured by Hollywood. Hence it
was quite delightful to see him go back to his point of origin – as a filmmaker
and as a person – in the ravishingly beautiful and deeply personal
semi-autobiographical film Roma. Shot
with exquisite finesse in visually spellbinding monochrome, the Golden
Lion-winning movie takes us back to the filmmaker’s memories of growing up in
the Colonia Roma neighbourhood in Mexico City during the politically turbulent early-1970s,
and paints a heartwarming love-letter to the housemaid who took care of him and
his siblings during their childhood. The film’s central protagonist is Cleo (Yalitza
Aparicio), a soft-spoken and gentle-natured maid, who, apart from her domestic
responsibilities, also takes care of the 4 boisterous kids of Sofia (Marina de
Tavira), who’s on severe psychological stress on account of her crumbling
marriage. Cleo’s mundane existence, however, faces a jolt when she becomes
pregnant, but her fiancé doesn’t just run out on her, he might even be training
as a member of Los Halcones (The Falcons), a notorious paramilitary group
tasked with the job of repressing protests and demonstrations. The bloody
Corpus Christi massacre – a dark episode in the country’s recent past which occurred
during the Mexican Dirty War – breathtakingly captured in perhaps the movie’s
most memorable set-piece – provided a terrific counterpoint to the storyline’s muted
domesticity. Spectacular long-takes through gently roving cameras, lack of non-diagetic
sounds and naturalistic acting added undeniable technical virtuosity to this
observant, meditative, quietly affecting and atypical Cuarón gem.
Director: Alfonso Cuaron
Genre: Semi-Autobiographical Drama/Family Drama
Language: Spanish
Country: Mexico
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