Dr. Strangelove or How I Learned to Stop Worrying and Love the Bomb 
If there’s one movie that has come to define the madness of war, it would have to be Stanley Kubrick’s Cold War-era masterpiece Dr. Strangelove. A brilliant political satire and a bitingly funny black comedy, the movie remains a fascinating caricature of the then frosty US-Soviet, and perhaps the closest that cinema came to Joseph Heller’s Catch-22. The film chronicles a nuclear catastrophe brought upon by a crazy US General (Sterling Hayden), who, convinced that the Americans’ “precious bodily fluids” are being polluted, has authorized nuclear attack on the Soviets, sending the Pentagon into frenzy. The US President, while trying to placate his “Ruskie” counterpart, comes to know of a “doomsday device” built by them to automatically destroy the planet if they are attacked. The movie painted with hilarious effect the insanity and paranoia surrounding the era, and forms a nightmarish vision of what might happen if “the wrong man presses the wrong button”; yet, in an odd way, it was also a moving testament of human stupidity. Shot in glorious black-and-whites, it boasts of a slew of stellar performances – at foremost lies the astounding Peter Sellers in three distinct roles (an uptight British Captain, the effeminate US President and ex-Nazi scientist Dr. Strangelove); George C. Scott too was simply superb as a Commie-hating General, and so too was Slim Pickens who, as a Bomber pilot, got to be part of one of the most iconic scenes in cinematic history.
Director: Stanley Kubrick Genre: Comedy/Black Comedy/Political Satire/War Language: English Country: US