Shaunak Sen’s gritty and hypnotic debut Cities of Sleep – filled with dystopian poetry and cutting irony – was a miniature act of marvel. Made 7 years before his magnificent docu essay All That Breathes that earned him global acclaim, he composed this compact work using loads of footage that he shot over 2 ½ years. A subaltern city symphony and observational essay – with its deadpan gaze on Delhi’s most impoverished and marginalized inhabitants representing the city’s bottom-most socioeconomic rung – was themed around the politics and class dynamics of sleep. Two grim locales which the city’s destitute homeless outcasts frequent at nights were intermeshed into the loose-limbed narrative – Meena Bazaar and Loha Pul. Jamaal, a tea seller, is a tough but mercurial sleep entrepreneur who runs a night shelter at the former locality, often raising the rent for cots and blankets as temperatures plummet, while also oftentimes breaking the trend by waiving charges in lieu of a good Mohd. Rafi song or calling an ambulance for free. The dominant protagonist of the former strand, however, was the slippery, eccentric and roguish Shakeel, a cadaverous yet colourful migrant man obsessed with his relationship with sleep. As he’d frequently disappear for weeks, Sen included a parallel strand covering a sleep commune situated, rather befittingly, in the underbelly of an historic iron bridge on the Yamuna River (the latter site). Ranjeet runs an improvised movie theatre there where, for a pittance, people can choose to watch three back-to-back Bollywood flicks or sleep while the film runs in the background, and hands out pithy maxims on the philosophy and economics of sleep. These interwoven netherworlds were brilliantly shot and sparingly set to a haunting score.
Director: Shaunak Sen
Genre: Documentary
Language: Hindi
Country: India


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