Lengthy alcohol-soaked interactions – as speeches slur, conversations digress, inhibitions get lowered, and anxieties, fissures and disappointments get subtly exposed – have defined Hong Sang-soo’s droll, observational slices of life. The pivotal sequence that his seriocomic 33rd feature gradually builds towards is also an inebriated gathering where banal discussions, albeit with simmering undercurrents, transition into an edgy meltdown and disapproving opinions. Passing the “alcohol test” was therefore a crucial consideration in his amusing take on the “meet the parents” premise; however, that said, in his delectably mellow and understated world – where life plays in a minor key – confrontations and judgements are both transient and quickly forgotten. Ha (Ha Seong-guk), a thirty-something amateur poet who’s detached ties with his wealthy and influential father in order to pursue beauty shorn of societal chains, is invited by his girlfriend (Kang So-yi) of three years – who’s come to accept his quirky lifestyle choices – into her parents’ sprawling hilltop home. Her family, however, may not be as understanding, despite their outwardly genial natures. The father (the wonderful HSS regular Kwon Hae-hyo) disarmingly engages Ha in rambling banter – trying his antiquated car, showing him around, egging him to bond with the family, and finally sloshing him with makgeolli –; the discerning mother (Cho Yun-hee), a poet herself who gets Ha to open up about his poetry skills; and the sister (Park Mi-so), supposedly battling depression, steadily needling him about his privilege that’s at odds with his romanticized desire for the life of a starving artist. In a quirky formal choice, the typically unadorned visuals in the customary long takes became hazy on occasions, complementing Ha’s frequent avoidance of glasses in his preference for blurry vision of things.
Director: Hong Sang-soo
Genre: Drama/Comedy/Slice-of-Life
Language: Korean
Country: South Korea

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