Luchino Visconti’s celebrated fourth feature Senso served as a pivotal milestone for the “Red Count”, as it marked his decisive turn from a pioneering neorealist filmmaker to a practitioner of grand and ambitious historical melodramas. This visually sumptuous, emotionally feverish, vividly operatic and lavishly mounted epic – that exultantly combined Visconti’s love of cinema, theatre, opera and the fine arts – formed a precursor to and therefore one half of a diptych with his gargantuan masterpiece The Leopard, in that both were extraordinarily lush, formally meticulous, and were set against the turbulent backdrop of the radical social and political transformations that swept through the country during the Risorgimento. At its heart is a torrid, outrageously reckless and thoroughly self-destructive love affair that Livia (Alida Valli), a beautiful countess unhappily married to an older aristocrat with a chameleonic ability to shift his allegiances in sync with changing landscapes, gets embroiled in with a much younger, roguish and self-serving Austrian Lieutenant (Farley Granger), which leads her to betray her patriotic principles – viz. the causes of Italian Nationalists who’re battling for independence from the Austrian Occupation – and takes her to complete moral and existential doom. The resplendently designed and crafted film magnificently evoked the arresting architectural and locational splendour of Venice, Rome, Veneto and Verona – rapturously amplified by luscious art décor, ornate costumes and actual artworks; ravishingly shot in muted, fading colours by three different cinematographers (G.R. Aldo died midway, upon which Robert Krasker came in, but conflicts with Visconti’s vision led to Giuseppe Rotunno being asked to step in); and accompanied by a classical score – comprised of a spectacularly orchestrated and filmed battle scenes at par with what Visconti staged in The Leopard.
Director: Luchino Visconti
Genre: Drama/Historical Drama/Romantic Drama/Epic
Language: Italian
Country: Italy
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