Saturday, 22 January 2011
D.O.A. has one of the most memorable opening sequences in the history of film noirs – a man walks into a police building to report a murder… his own murder! The remainder of the movie is played in flashback where the protagonist Frank Bigelow , a CPA vacationing in California, gets mysteriously poisoned while in a bar. With only a day or two to live, Frank goes about solving his own murder piece-by-piece. Exceptionally played by Edmund O’Brien, Frank is a regular man inadvertently thrown into a nightmare – an inescapable nightmare and of the darkest sort, and a sordid and sinister world of black marketers, extortionists and cold murderers. The plot might seem a maze to many for its convoluted nature, yet it also happens to be wildly intriguing and gripping, and the storytelling has ensured that the film ought to rank as one of the most innovative noirs ever made. The film is relentlessly dark, and expectedly it ends on a fatalistic note – the final sequence where Frank’s file is closed with the remarks “Dead on Arrival” would rank as one of the most fascinating final scenes. The film is frenetically paced leaving one breathless at times, and when the film gets over, I had a feeling that I too was as much a part of the nightmare as the protagonist was. Yes, it was a B-film, but it remains a classic-noir nonetheless.
Director: Rudolph Mate
Genre: Crime Thriller/Film Noir/Mystery