Wednesday, 1 October 2008

Bande a Part (Band of Outsiders) [1964]


Bande a Part is one of French auteur Jean-Luc Godard’s most accessible films – a film that even non-Godard aficionados would easily enjoy watching. It is often considered as a companion piece of sorts to Godard’s revolutionary first feature A Bout de Souffle (Breathless); Bande a Part, though very much a Nouvelle Vague movie, was comparatively far more traditional in its approach. The plot involves two Parisian buddies, Franz and Arthur (straight out of American B-movies), convincing Odile, a lovely but naïve young lady, to help them in robbing her place, which inevitably leads to disastrous consequences; in the meantime both would-be criminals try all their tricks to seduce Odile. The movie crackles with its delectable charm, deadpan humour and the memorable chemistry between the acting leads. It also comprises of two iconic scenes – an impromptu dance sequence at a café and the trio running through Louvre (which was later paid homage to in Bartolucci’s Dreamers). Quentin Tarantino paid the ultimate tribute to Godard and this movie by naming his now defunct production company Band Apart.









Director: Jean-Luc Godard
Genre: Drama/Crime Drama/Romantic Drama/Comedy/Gangster/Avante-Garde
Language: French
Country: France

6 comments:

theseventhart.info said...

And the one minute silence is a killer!!!

Shubhajit said...

But that was fun as well... Godard manages to pull off stuff that no one could even have conjured!

Adrenaline and all that Jazzz said...

'Paris and it's god damn manhole covers'

Shubhajit said...

Thats quintessential Godard for you...

MovieMan0283 said...

Easily one of my very favorite Godards, which is saying something as I love so many by him. I agree that it's a great "gateway Godard" though of course it holds up even after deeper immersion into his canon, I think...

Shubhajit said...

I have an especially strong inclination towards the early Godard, or rather the first half of his career. What's especially amazing about this film is that it is iconoclastic & freewheeling without ever being inaccessible.