Friday 26 July 2024

Poor Things [2023]

 Poor Things is possibly Lanthimos’ most unreservedly ambitious film to date – ribald, outré and gleefully grotesque – while also being situated in his distinctively weird aesthetic palettes and expressions. Adapted from Alasdair Gray’s novel of the same name, it conjured a wildly imaginative blend of period setting and punk-dystopia, and thereby a mix of black humour, body horror, sci-fi fantasy, existential inquiries and feminist fable. Yet, for all its absurdist splashes, it was also ultimately an exercise in humanism and morality, and therefore bereft of the wickedly savage and deadpan nihilism that he’d pursued so far. Consequently, for all its fantastical imagery, extravaganza and provocations, it demonstrated that he’s either mellowing with age or attempting an expanded audience (or both). Set in cartoonish Victorian England – flamboyantly evoked through zany cinematography, garish backdrops and discordant scores – it’s centred on Bella (Emma Stone), who has the mind of a child in the body of a woman. This freakish contradiction is the result of the handiwork of mad scientist Godwin (Willem Defoe) – who she unironically calls “God” – as he revived a woman who’s committed suicide by transplanting an unborn child’s brain into her. Unapologetically gauche, outrageously libidinous and infinitely curious, she embarks on a wild adventure of self-learning, first with the gloriously louche Duncan (Mark Ruffalo) – their romps represented the film’s most enjoyable sections – and then as a prostitute at a Parisian brothel where she’s drawn to socialist ideas. The drab final segment and some self-consciously serious set-pieces, unfortunately, were dampeners. Excellent performances aside – Stone was particularly fearless and nuanced – the film comprised of a charming cameo by Hanna Schygulla and droll inter-species hybrids reminiscent of Sukumar Ray’s unforgettable nonsense poem ‘Khichuri’ (“Hodgepodge”).







Director: Yorgos Lanthimos

Genre: Sci-Fi/Black Comedy/Fantasy/Romantic Comedy/Existentialist Drama

Language: English

Country: UK

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