Cinemascope

 Lengthy alcohol-soaked interactions – as speeches slur, conversations digress, inhibitions get lowered, and anxieties, fissures and disappo...

 Park Chan-wook’s filmography is replete with wickedly feral killers who complement method with madness. No Other Choice ’s anti-hero, conv...

  A Traveler’s Needs – Hong Sang-soo’s third collaboration with Isabelle Huppert – is a film of spontaneous comings and goings, loopy repet...

 Hong Sang-soo’s chatty yet deadpan In Our Day – made in his characteristically unadorned visual language, unassuming aesthetic grammar and...

 Self-reflexive and metatextual elements, quotidian urban settings, rambling alcohol-fuelled conversation, passive-aggressive interactions, ...

 Bittersweet chronicles of dysfunctional families have been the connecting thread in Kore-eda’s filmography, and Broker fell squarely in th...

  Decision to Leave is one of Park Chan-wook’s most muted works – notwithstanding its arresting set-pieces, panache and controlled stylisti...

 Hong Sang-soo, poet of the understated and the quotidian, crafted a disarmingly sublime work – delicately laced with melancholy, regrets, o...

Hong Sang-soo’s wistful, seriocomic and episodic film Introduction was a typically droll evocation of quotidian quirks, wry encounters and ...

  The Woman Who Ran – with its meandering flow, rambling conversations, low-key style, subjective POV, and romantic relationships existing ...