Cinemascope

 Romanian provocateur and lampooner Radu Jude’s Dracula – his second outing in 2025 after Kontinental '25 , both shot using iPhones – w...

  Father Mother Sister Brother – Jim Jarmusch’s fourth anthology film, a form that he keeps returning to – was interwoven with his love for...

 In Calcutta 71 , Mrinal Sen constructed a fierce and subversive examination of impoverishment, deprivation, exploitation and the seeds of r...

 The ingeniously named The Birds, the Bees and the Italians (the direct translation of its Italian title, interestingly, was simply “Ladies...

  Arabian Nights – Pasolini’s concluding instalment in his audacious, expansive and uninhibited ‘ Trilogy of Life ’ – was an episodic antho...

 Based on Geoffrey Chaucher’s influential Middle English epic, The Canterbury Tales was Pasolini’s ecstatic and flamboyantly crafted second...

 Unapologetically ribald, wickedly subversive, gleefully scandalous and vivaciously realized, The Decameron – Pasolini’s extraordinary adap...

 Produced by Mosfilm in collaboration with ICAIC to celebrate the Cuban Revolution, and made when the Cold War was at its frostiest nadir – ...

  In Three Floors , Nanni Moretti transplanted Eshkol Nevo’s acclaimed novel Three Floors Up from Tel Aviv to Rome, for an intricate, inter...

  Dissident Iranian filmmaker Mohammad Rasoulof’s There Is No Evil – unsurprisingly banned in his country – was a magnificently crafted ant...